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shady_lamarr
- July 11th, 3:20
I'm gonna be honest with you, I started up again with "Seven Soldiers" only because I liked Sky-High Helligan a lot and knew that she reappeared in the series, glad I did. Grant Morrison is the suck at beginnings, and his endings are mostly confounding and over-extended and try to resolve too much (the Buddy Baker meets his writer ending to "Animal Man" and Crazy Jane trapped in the "hell" of our real world in "Doom Patrol" aside), but man does the guy do middles like nobody's business, and that's the tricky part in comic books, real life never ending stories.
There's some great stuff here. The ugly weird kid at school who turns out not to be a misunderstood loner but a vile evil unlikeable scumbag jerk and villain. Cameron Stewart's Bettie Page inspired Zantanna. Superhero porn sites featuring 70 year old witches who still look like teenagers (I'm sure the FBI is just WAITING for someone to attempt that excuse here). The Newsboy Army, a cautionary tale of what would actually happen to a kid superhero group (including the tragic tale of Millions, the world's richest dog). And, of course, yes Grant Morrison's fave New God Metron, portrayed as a severely disabled homeless man.
For the record, Morrison gets a lot of flack from the comic world because he's said he did a magic ritual and talked to Metron, a ficitonal character. He's made it very clear that this dialogue was not between him and an actual Metron, but more of a mental dialogue between him and the forces that Metron stood for, or, to be a little less fanciful, a conversation between "Grant Morrison" and the "Metron" part of his superconsciousness.
The dude's not crazy or anything.
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More thoughts on "Rachel Getting Married."
I always saw the stepmother Carol as the moral center of the movie, if it has one, and I still think she is, but I've come to realize it's not because she's an inherently special type of human, but simply because she's part of the family and clearly loves her husband and her stepdaughters, but she's removed from the central trauma specifically and the intense impossible and unknowable internal family conflicts enough that she's priveleged to a certain distance and perspective that is impossible for the rest of the family.
I also love that we feel like we know these characters, but, just like in real life, we have only the faintest clue of what things will be like for the major characters the next day, let alone the rest of their lives. It's depressing how many movies end with way too much closure, with every forseeable character's life, even if its fifty or sixty years, pretty much either explicitly written out or sufficiently hinted at.
I do have a guess about the best man character, Kym's fellow traveler AA-wise and wedding party fling, and what happens to him. I say he maybe keeps up with a Kym for a bit, but the thing pretty much fizzles out like most of these types of connections do, years later, he has a major relapse (pretty much inevitable) and he sort of starts to return to Kym, out-of-the-blue drunk dials and e-mails, etc, starting to look back at this point of time where he was the wiser, more together of the two, and kinda romanticizing this period even as he realizes this behavior is self-destructive and this moment has passed for good...